Phantom LUTs is the project of DoP Joel Famularo, known for his authentic and bold style of cinematography. He specializes in Arri Alexa and Film Emulation
Explore sample frames from filmakers who color grade using Phantom LUTs
### What's Included
- CANON CINEMA CAMERAS
- RED KOMODO/RAPTOR
- NIKON ZR (Coming Soon)
- NIKON Z8/Z9 (Coming Soon)
- S1/1H, S5 I/II, EVA1
- BLACKMAGIC POCKET 4K/6K
- BLACKMAGIC URSA MINI 4.6K G2
- BLACKMAGIC CC-FF 6K & PYXIS 6K (Coming Soon)
- MAVIC › MAVIC 3 (PRO/CINE)
- MAVIC 4 PRO
- POCKET 3
- POCKET 4 (COMING SOON)
- IPHONE 15/16/17 PRO
- FUJI X-H25
- ALEXA MINI/CLASSIC & AMIRA
- ALEXA 35
- MAVIC 3 (PRO/CINE)
- OSMO POCKET 3
- OSMO POCKET 4 (Coming Soon)
- RONIN 4D & INSPIRE 3
- What Software is compatible with Phantom LUTs? Phantom LUTs are compatible with all editing software that supports the use of .cube LUT files. This includes software on Mac, PC and Tablet/Mobile apps. Compatible Editors Include: Davinci Resolve Studio (All Versions)
- Adobe Premiere Pro (All versions)
- Final Cut Pro (All Versions)
- CapCut
- LumaFusion
- Capture One
- Kinemaster
- Avid Media Composer
- Sony Vegas
- Ensure your Color Science is set to: DaVinci YRGB
- Set your Timeline Color Space to Rec.709-A for Mac users, Rec.709 Gamma 2.4 for Windows users
- Leave Output Color Space set to Same as Timeline
- Lastly, ensure 3D lookup table Interpolation is set to Tetrahedral
- Under the Color Management section, set 3D LUT Interpolation to Tetrahedral
- In the Video section, ensure that Working Color Space is set to Rec. 709
- Navigate to Preferences (or Settings) > General…
- Then untick Auto Detect Log Video Color Space
- Right click the clip and select Modify Clip
- Under Interpret Footage set Color Space Override to Rec. 709
- In Change the color processing setting for the library ensure Standard Gamut SDR is selected
Added 2026-11-03Video Editing